Overview

[S] = Single Exhibition, [G] = Group Exhibition, [P] = Performance Art

2023

2022

2021

2017

2016

2014

2013

2012

  • “The New Collectors Selection Exhibition”, Ward-Nasse Gallery, Soho, New York City [G]

2011

2010

2008

2007

  • “Pieta formatiert” (‘Pietà Formated’) and “Kreuzfigur der Klage” (‘The Lamentation of the Figure on the Cross’); installation (object and text) in a historical setting, with a dance performance by Gabriela Muntenbruch and music improvisation by Matthias Frey – Künstlerhaus Schloss Balmoral, Bad Ems, Germany [P]

2006

  • “Zurück aus Japan…” (‘Back from Japan …’); a selection of works by Eva Koethen and Hans-Jürgen Schlieker – Schlieker-Haus, Bochum, Germany [S]
  • “Überschreitungen des Barock” (‘Transgressing the Baroque’), photographic floor-installation as part of the exhibition “Mozart Experiment Aufklärung” (‘Mozart and the Experiment of the Enlightenment’), Albertina, Vienna, Austria [G]
  • “Overstepping the spaces of everyday life”, photographic floor-installation (contribution to a conference) – University of Jyväskylä, Finland [P]

2005

  • “Konkrete und informelle Kunst aus Deutschland” (‘Concrete and Informal Art from Germany’); photographic floor-installations and painting-installations (with Hans-Jürgen Schlieker) – exhibition at the TÜV Rheinland Forum/German Technology Assessment Center in Yokohama/Tokyo, Japan (as part of the official event ‘Germany in Japan 2005/2006’) [S]
  • “Baden gehen! Bodenbilder, Bildobjekte – ausgesetzt, zurückgekehrt” (‘Going for a Bath! Photographic Floor-Installations and Painting-Installations – Abandoned, Recovered’)– exhibition in the Pariser Hof, Wiesbaden, Germany; organised by the Fluxus Freunde Wiesbaden e.V. [S]
  • “Das Gastmahl – Mozarts Musik und die Eröffnung neuer Denkräume” (‘The Banquet – Mozart’s Music and the Opening of New Horizons’); concept and introduction (with J. Stüttgen (artist), Brookes University Oxford; G. Haffelder (scientist), Institut für Kommunikation und Gehirnforschung, Stuttgart-Feuerbach, and the Axis Duo: Beata Seemann (clavichord) & Klaus Holsten (Baroque flute)) – Neuwagenmühle / nr. Kördorf (as part of the Summer of Culture of the Federal State of Rhineland-Palatinate 2005, Germany) [P]

2004

  • Fluxus-Fließen (‘Fluxus Flow’): “Übers Wasser” (‘Across the Water’), photographic floor-installations inside the Mühlenkeller and “Verbrauchte Fische” (‘Used Fish’), object installation on the estate of Neuwagenmühle/Kördorf (as part of the ‘Summer of Culture’ of the Federal State of Rhineland-Palatinate 2004, Germany) [G]

2002

  • “Wasser-Räume” (‘Water Spaces’); photographic floor-installations and painting-installations – exhibition in the Museum Castle Bad Pyrmont, Germany (as part of the summer exhibition ‘Water Spaces’ with contributions from Marion Gülzow, Eva Koethen, Uwe Stelter and Christoph Rust) [S]

2001

  • “Walking on Water”, photographic floor-installations – exhibition on the ArtShip in Oakland, California, USA; organised by the ArtShip Foundation, Oakland and the Goethe-Institut San Francisco, USA [S]
  • “Körperräume überschreiten” (‘Transgressing the Space of the Body’); photographic floor-installations – exhibition in St. Matthew Church / Kulturforum, Berlin, Germany [S]
  • “Brüche in Zeit und Raum” (‘Breaks in Time and Space’) – Permoser on his 300th Birthday, photographic floor installation – Hofkirche in Dresden, Germany (shown on Bavarian television in 2001) [P]

1999

  • “Körperopfer mit Schutzengeln” (‘Victim with Guardian Angel’); painting-installation and text (on the occasion of the award of the German Federal Cross of Merit to Dr. med. Hansjürgen Keller) – exhibition in the Performance Space of the Hamburger Bahnhof, Museum for Contemporary Art, Berlin, Germany [S]
  • “Berlin – a construction to walk on”; paintings and audio – Goethe-Institut Washington, Washington D.C., USA [S]
  • “Spurensuche im Bildraum” (‘Searching for traces in the Picture Space’); photographic floor-installation (with Bärbel Kasperek, performance & Emy Abo, voice) – Dreikönigskirche (Church of three Kings) in Dresden (video recorded as part of the 5th Theatre Festival of the Dreikönigskirche, Dresden) [P]

1998

  • “Berlin – a construction to walk on”; photographic floor-installations, paintings and audio – exhibition in the Parsons School of Design (main gallery), New York, USA; organised by Goethe-Institut New York in collaboration with the Parsons School of Design, New York, USA [S]
  • “Berlin – construction sites”; photographic transaction in closed and open spaces – Pierhouse, San Diego, USA [P]
  • “Betreten eines barocken Bildraums” (‘Experiment on a Baroque Picture-Floor’); photographic floor installation – Friedenskirche, Hemmingen / nr. Hanover, Germany [P]

1997

1996

  • “Figuration im Dialog” (‘Figuration in Dialogue’) (with Adriena Simotová, painting) – exhibition at Guardini-Stiftung, Berlin, Germany [S]
  • “Distanz und Nähe” (‘Distance and Proximity’); pictures and figurations – Church at Hohenzollernplatz, Berlin, Germany [S]
  • “Körper-Opfer” (‘Body-Victim’); floor-picture (with Emy Abo, voice) – Berlin Cathedral, Germany [P]

1995

  • “Kunst in der Kirche” (‘Art in the Church’), Trinitatis Church, Wolfenbüttel / Brunswick, Germany [G]
  • “Europäische Künstler im Rathaus” (‘European Artists in the Town Hall’), paintings and sculptures, Stuttgart Town Hall, Germany [G]

1994

  • Galerie M, Berlin, Germany (with Thomas Kaufhold, sculpture) [S]
  • “Das Aussetzen der Tasche” (‘The Abandonment of the Bag); performance in contribution to the event “Das Ich & die Dinge” (‘I & Things’) – La Palma, Canary Islands, Spain [P]

1992

  • “Übergang und Grenze” (‘Crossing and Border’); paintings from 1990/91, Galerie N, Munich, Germany [S]
  • Galerie Herrsching, Herrsching / Munich, Germany [S]
  • Evangelische Akademie Loccum, Rehburg-Loccum / Hanover, Germany [S]
  • Ausstellungsprojekt “Schünemannsche Mühle” (Exhibition project ‘Schünemann Mill’), Wolfenbüttel / Brunswick, Germany [G]

1991

  • “Neues aus den Ateliers” (‘New Work from the Artist Studios’), Villa Oppenheim, Berlin, Germany [G]

1990

  • “Bruch-Stücke im Auf-Bruch” (‘Fracture / Departure’); paintings and text – Galerie N, Munich, Germany [S]
  • “Galerie der Künstler” (‘Gallery of the Artists’), Galerie Herrsching, Herrsching / Munich, Germany [G]
  • “Fragments of the Berlin Wall”, Alena Adlung Gallery, New York, USA [G]

1988

  • “European Art”, Gallery Art 54, New York, USA [G]
  • Alena Adlung Gallery, New York, USA [G]
  • “Substanzumwandlung” (‘Transformation of the Substance’); performance in response to the exhibition dedicated to Joseph Beuys – Akademie der Künste (Academy of Fine Arts), Berlin, Germany [P]

1986

  • Palazzo del Comune, Montescudaio/Pisa, Italy (with K. Reinshagen) [S]
  • “Die Realität der Chips” (‘The Reality of the Microchip’); paintings and texts – Free University Berlin, Germany [S]

1985

  • “Die Poesie der Blechbüchsen” (‘Poetry of the Tins’); paintings, photographs, texts – Galerie Sisyphos, Berlin, Germany [S]
  • “Die Wanderung der Blechbüchsen” (‘The Migration of the Tins’); series of photographs – Giants Causeway, Ireland [P]
  • “Ein Selbst entstehen lassen” (‘To Let a Self Emerge’); performance in response to the exhibition ‘The Self-Portrait in the Age of the Photograph’ – Akademie der Künste (Academy of Fine Arts), Berlin, Germany [P]